IV. Allegro Con Spirito

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  1. IV. Finale: Allegro con spirito. The finale is in fast tempo, has a monothematic exposition, and is in sonata rondo form. Like the first movement, it begins with a quasi-ritual gesture – in this case, a horn call: The horn call is followed by a pause, then repeated as accompaniment to the main theme, and indeed echoed throughout the movement.
  2. Adagio - Allegro non troppo, ma con brio (Live) Symphony No. 2 in D Major, Op. 5 Symphony No. 2 in D Major, Op. I. Allegro non troppo (Live)
  3. Aug 12,  · Symphony No. 1 in C Minor, Op. IV. Adagio - Allegro non troppo ma con brio. By Johannes Brahms. 4 Symphony No. 2 in D Major, Op. IV. Allegro con spirito.
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  8. Allegro con spirito (D major) I. Allegro non troppo The cellos and double-basses start the first-movement sonata form in a tranquil mood by introducing the first phrase of the principal theme, which is continued by the horns. The woodwinds develop the section and other instruments join in gradually progressing to a full-bodied forte (at bar 58).

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